Arredondo \ Arozarena, Mexico City | Positions
Fritzia Irizar, Untiled (The disappearance of the symbol), 2015, gold thread, pulleys, and motor.
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz