Julian Hoeber, Scholar’s Rock Proxy, 2015, pigmented and unpigmented ultracal cement and acrylic lacquer on pedestal of cherry wood with catalyzed oil finish and MirroView glass.
COURTESY THE ARTIST AND JESSICA SILVERMAN GALLERY
A Market of the Senses: Sara Cwynar Finds Truths and Untruths in Advertising
Arshile Gorky Will Receive First Italian Retrospective During 2019 Venice Biennale
From the Archives: Walter Pach on Eugène Delacroix’s ‘Liberty Leading the People,’ in 1946