Double Positive: Carter Ratcliff on Robert Ryman’s Meditative Monochromes, in 1971

In honor of a survey of his paintings at the Dia Art Foundation in New York, below is a 1971 essay about Robert Ryman’s white-on-white paintings. Written by Carter Ratcliff, the essay questions how Ryman’s work can be categorized. Are … Continue reading Double Positive: Carter Ratcliff on Robert Ryman’s Meditative Monochromes, in 1971