Installation view of “Joep van Lieshout: SlaveCity (in the context of Jheronimus Bosch 500),” 2016, at De Pont Museum.
COURTESY DE PONT MUSEUM TILBURG
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz