Siah Armajani, House Before the Bridge, House Above the Bridge, House Below the Bridge, House After the Bridge, 1974–75,
balsa, bass, and hardwood, with stain.
LARRY MARCUS/COURTESY THE ARTIST AND ALEXANDER GRAY ASSOCIATES, NEW YORK
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis