Karen Huber, Mexico City
Eugenia Martínez, Familia mexicana, 2016, enamel paint, red molding compound, piezografia on canvas and wooden box.
Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman
Laura Raicovich Counters Queens Museum Report of ‘Poor Judgement’ and Misleading Board
Two Curtains, Countless Cameras, and Many Friends: At the Unveiling of the Portraits of Barack and Michelle Obama in Washington