Galerie Perrotin, New York, Paris, and Hong Kong
Iván Argote, “Meanwhile on the opposite side of truth”, 2016, laser cutting on mixed media, neodymium magnets, and varnished steel structures.
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz