Luce Gallery, Turin
Nathaniel Mary Quinn, Wide Asleep, 2016, black charcoal, gouache, soft pastel, oil pastel, oil paint, and paint stick on Coventry vellum paper.
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines