Installation view of “Kamrooz Aram: Ornament for Indifferent Architecture,” 2017, at Museum Dhondt-Dhaenens, Deurle, Belgium.
RIK VANNEVEL/COURTESY THE ARTIST AND GREEN ART GALLERY, DUBAI
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz