Olga Balema, a thin skin under which a gigantic cauldron of blazing fire was blazing, 2016, latex, Magic Sculpt.
VELI-MATTI HOIKKA /COURTESY THE ARTIST AND HANNAH HOFFMAN GALLERY, LOS ANGELES
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz