B. Wurtz, Bunch #4, 1996, metal, wood, wire, enamel paint, and plastic bags, installation view.
COURTESY THE ARTIST, METRO PICTURES, NEW YORK, AND LULU, MEXICO CITY
‘The Fight Is Not Over’: Luis C. Garza and George Rodriguez on Photojournalism in 1960s L.A. and the Legacy of the Chicano Blowouts
From the Archives: Jack Tworkov on Chaim Soutine, in 1950
Per Kirkeby, Pioneering Neo-Expressionist Painter, Dies at 79