Abraham Cruzvillegas, Autoconstriction Approximante vibrante retroflexe (detail), 2016–17, two-channel video, pallets, wooden boards, cleats, signpost, two pairs of shoes, mats, Nîmes instruments, butternut squash, and metal plate.
FLORIAN KLEINEFENN/COURTESY THE ARTIST AND GALERIE CHANTAL CROUSEL, PARIS
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