Abraham Cruzvillegas, Autoconstriction Approximante vibrante retroflexe (detail), 2016–17, two-channel video, pallets, wooden boards, cleats, signpost, two pairs of shoes, mats, Nîmes instruments, butternut squash, and metal plate.
FLORIAN KLEINEFENN/COURTESY THE ARTIST AND GALERIE CHANTAL CROUSEL, PARIS
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines