Benedicte Gyldenstierne Sehested, Untitled, 2016–17, plaster, gauze, cotton fabric, cotton thread, galvanized metal wire, copper wire, latex, acrylic paint, beeswax, and oil paint.
COURTESY THE ARTIST AND KOPPE ASTNER, GLASGOW
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines