Benedicte Gyldenstierne Sehested, Untitled, 2016–17, re-appropriated metal folding chair, latex, starched gauze, synthetic wig, plaster, gauze, beeswax, pigment, galvanized metal mesh, polyurethane foam, thread, copper wire, and acrylic paint.
COURTESY THE ARTIST AND KOPPE ASTNER, GLASGOW
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines