‘Ewig Weibliche’ at Koppe Astner, Glasgow

Benedicte Gyldenstierne Sehested, Untitled, 2016–17, re-appropriated metal folding chair, latex, starched gauze, synthetic wig, plaster, gauze, beeswax, pigment, galvanized metal mesh, polyurethane foam, thread, copper wire, and acrylic paint.

COURTESY THE ARTIST AND KOPPE ASTNER, GLASGOW