Pieter Laurens Mol’s La Fermentation Subite (1987), in the booth of London’s Hidde van Seggelen, at TEFAF Spring 2017.
MAXIMILÍANO DURÓN/ARTNEWS
Pieter Laurens Mol’s La Fermentation Subite (1987), in the booth of London’s Hidde van Seggelen, at TEFAF Spring 2017.
MAXIMILÍANO DURÓN/ARTNEWS
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
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