On the entryway to “Viva Arte Viva” is a colorful piece by Sam Gilliam, Yves Klein Blue, from 2015.
The 57th edition of the Venice Biennale opened to select members of the press today, with a preview that lasts until May 12. Below, a brief look at the main exhibition—”Viva Arte Viva,” curated by Christine Macel—and some of the action at the national pavilions.
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- In the entryway to “Viva Arte Viva” is a colorful piece by Sam Gilliam, Yves Klein Blue, from 2015.
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- John Waters, Study Art Sign (for Prestige or Spite), 2007, in “Viva Arte Viva.”
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- Phyllida Barlow, who is representing Great Britain this year at the Biennale, outside her pavilion.
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- Olafur Eliasson at the Biennale.
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- In the last room of the United States Pavilion is Mark Bradford’s silent video, Niagara, 2005.
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- McArthur Binion with one of his paintings in “Viva Arte Viva.”
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- A Biennale-goer taking photos outside the caged dogs on the exterior of the German pavilion by Anne Imhof.
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- Works by Kiki Smith at “Viva Arte Viva.”
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- Klaus Biesenbach flanked by Marwan paintings, in “Viva Arte Viva.”
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- Work by Geoffrey Farmer, representing Canada.
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- Curator Susanne Pfeffer in front of the German Pavilion with works by Anne Imhof.
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- Takahiro Iwasaki’s installation Turn Upside Down, it’s a Forest at the Japanese Pavilion.
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- The exterior of the Korean Pavilion is a piece by Cody Choi titled Venetian Rhapsody, the Power of Bluff, 2017.
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- Inside the Swiss Pavilion, featuring work by Carol Bove.
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- Dirk Braeckman hanging out next to one of his photographs in the Belgian Pavilion.
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- Police patrolling the Giardini grounds on opening day.
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- Tate Director Nicholas Serota taking in the British Pavilion by Phyllida Barlow.
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