Bethany Collins, Southern Review, 1985 (Special Edition), 2014–15, charcoal on paper, sixty-four elements.
FREDERIK BRAUER/COURTESY THE ARTIST, RICHARD GRAY GALLERY, AND HUDGENS CENTER
The Museum of Modern Art Expands: Complete Coverage
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How Suzanne Lacy’s Feminist Work About Sexual Assault in the 1970s Created a New Art Form