Tezontle, Piedra 1 (Abrazo), 2017, pigmented concrete and rubber band.
NYDIA LILIAN/COURTESY THE ARTISTS AND PEANA PROJECTS
Tezontle, Piedra 1 (Abrazo), 2017, pigmented concrete and rubber band.
NYDIA LILIAN/COURTESY THE ARTISTS AND PEANA PROJECTS
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos 
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz