Deborah Schamoni, Munich | Feature
Lea Lublin, Voir clair: La Gioconda aux essuie-glaces (To See Clearly: The Mona Lisa with Windshield Wipers), 1965, acrylic, glass, tape and paper on canvas, with pressboard, wood, rubber bulb, wiper, and motor.
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines