Deborah Schamoni, Munich | Feature
Lea Lublin, Voir clair: La Gioconda aux essuie-glaces (To See Clearly: The Mona Lisa with Windshield Wipers), 1965, acrylic, glass, tape and paper on canvas, with pressboard, wood, rubber bulb, wiper, and motor.
Remembering Wynn Kramarsky: Friends and Colleagues on the Storied Art Collector and Patron
Display Cases: Greg Tate on a Whitney Biennial Haunted by Warren Kanders and Mamie Till
13 Iconic MoMA Shows from the 1930s—and What ARTnews Said at the Time