Deborah Schamoni, Munich | Feature
Lea Lublin, Voir clair: La Gioconda aux essuie-glaces (To See Clearly: The Mona Lisa with Windshield Wipers), 1965, acrylic, glass, tape and paper on canvas, with pressboard, wood, rubber bulb, wiper, and motor.
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz