Antonia Hirsch, Black Echo, 2017, glass, steel, and Plexiglas.
PETER HARRIS STUDIO/COURTESY THE ARTIST AND REPUBLIC GALLERY, VANCOUVER
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines