Felix Gonzalez-Torres, “Untitled” (Loverboy), 1989, blue fabric and hanging device, installation view.
PETER HARRIS STUDIO/©THE FELIX GONZALEZ-TORRES FOUNDATION/COURTESY ANDREA ROSEN GALLERY, NEW YORK/PRIVATE COLLECTION, NEW YORK
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz