Ian Cheng, Emissary in the Squat of Gods, 2015, live simulation and story, installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
‘We Want to Invest in the Region’: FOG and Untitled Fairs Bring Out Dealers, Collectors in San Francisco