Lorrena Herrera Rashid, Apocalipsis now, 2012, brass, wood, and fabric.
COURTESY THE ARTIST AND MARSO GALLERY
Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman
Laura Raicovich Counters Queens Museum Report of ‘Poor Judgement’ and Misleading Board
Two Curtains, Countless Cameras, and Many Friends: At the Unveiling of the Portraits of Barack and Michelle Obama in Washington