Sam Davis, The Indifferent Egg-Crucible Entropy Motel, Black, 2017, pigmented urethane, toys, and cigarette.
PAUL SALVESON/ COURTESY THE ARTISTS AND AWHRHWAR, LOS ANGELES
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
‘We Want to Invest in the Region’: FOG and Untitled Fairs Bring Out Dealers, Collectors in San Francisco