Installation view of “No to the Invasion: Breakdowns and Side Effects,” 2017, at CCS Bard Galleries, Annandale-on-Hudson, New York.
CHRIS KENDALL/COURTESY THE BARJEEL ART FOUNDATION
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz