Installation view of “No to the Invasion: Breakdowns and Side Effects,” 2017, at CCS Bard Galleries, Annandale-on-Hudson, New York.
CHRIS KENDALL/COURTESY THE BARJEEL ART FOUNDATION
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis