Installation view of “Screaming in the Streets: AIDS, Art, Activism,” 2017, at ClampArt, New York.
COURTESY CLAMPART, NEW YORK CITY
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis