Josephine Meckseper, Dirty Hands, 2016, acrylic on canvas, cast aluminum, stainless steel stand, wood, jewelry, and Chemetal laminated to ultralight-MDF shelf with steel bracket.
©JOSEPHINE MECKSEPER/COURTESY OF THE ARTIST AND PROYECTOSMONCLOVA
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz