Manuel Álvarez Bravo, Ventana al coro (Window to the Choir), 1936, printed ca. 1981, gelatin silver print on paper.
©ARCHIVO MANUEL ÁLVAREZ BRAVO, S.C.
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz