Installation view of “Jessi Reaves feat. Bradley Kronz and Jessi Reaves (Waiting for Boots): 31 Candles,” 2017, at Dorich House Museum.
PLASTIQUES/COURTESY THE ARTISTS
Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis