Installation view of “Gwenneth Boelens: (Residual Time),” 2017, at Klemm’s, Berlin.
COURTESY THE ARTIST AND KLEMM’S
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines