Gwenneth Boelens, Undo, 2017, cotton, latent fingerprints developed with fading forensic developer (ninhydrin), steel, and magnets, installation view.
COURTESY THE ARTIST AND KLEMM’S
Park McArthur Prods MoMA Expansion, Heather Guertin’s Luscious Paintings, and Ramiken Returns
The Browser: At the Whitney, ‘Programmed’ Piquantly Draws Out Connections Between TV and the Internet
Wool Gathering: Janine and J. Tomilson Hill’s Dreams for Their Exemplary Collection Overlooking the High Line