Gwenneth Boelens, Undo, 2017, cotton, latent fingerprints developed with fading forensic developer (ninhydrin), steel, and magnets, installation view.
COURTESY THE ARTIST AND KLEMM’S
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines