Installation view of “R. M. Fischer: Sculpture,” 2017, at Southard Reid, London.
MARK BLOWER/COURTESY THE ARTIST AND SOUTHARD REID
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines