Mark Prent, For Harry, 1984, plastic and fiberglass, canvas, steel cable, small steel rings, and steel clips, installation view.
AURÉLIEN MOLE/COURTESY NEW GALERIE, PARIS
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines