Mor Charpentier, Paris | Nova
Rosangela Renno, Imagem de Sobrevivência, 2015, carousel projectors, trays containing colored slides, and aluminum and steel shelves.
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
‘We Want to Invest in the Region’: FOG and Untitled Fairs Bring Out Dealers, Collectors in San Francisco