New York dealer Kate Werble has this 1982–85 Ken Tisa hanging wonderfully alone on one wall of her booth. It’s made of glass beads, and it’s utterly gorgeous in person, glimmering gently in the light. Its title is fitting: Veryy Good.
New York dealer Kate Werble has this 1982–85 Ken Tisa hanging wonderfully alone on one wall of her booth. It’s made of glass beads, and it’s utterly gorgeous in person, glimmering gently in the light. Its title is fitting: Veryy Good.
At Dallas Art Fair, Dealers Play Their Hand Deep in the Heart of Texas
Muses: Yo La Tengo’s Ira Kaplan on Yayoi Kusama, Crime Fiction, and Vija Celmins
Bodies of Work: In Washington, Big-Ticket Blockbusters, a Bracing Permanent Collection Hang, Anne Truitt, and the Museum of the Bible