New York dealer Kate Werble has this 1982–85 Ken Tisa hanging wonderfully alone on one wall of her booth. It’s made of glass beads, and it’s utterly gorgeous in person, glimmering gently in the light. Its title is fitting: Veryy Good.
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz