Installation view of “H. C. Westermann,” 2017–18, at Fondazione Prada, Milan.
ROBERTO MAROSSI/COURTESY FONDAZIONE PRADA
Installation view of “H. C. Westermann,” 2017–18, at Fondazione Prada, Milan.
ROBERTO MAROSSI/COURTESY FONDAZIONE PRADA
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines