H. C. Westermann, The Pig House, 1972, copper screen, pine enameled, wire, cast rubber pig, “difu” wood, and solder.
UNIVERSITY OF ARIZONA MUSEUM OF ART, TUCSON
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
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