Installation view of “Genesis P-Orridge: Tree of Life,” 2017–18, at Invisible-Exports, New York.
COURTESY THE ARTIST AND INVISIBLE-EXPORTS
The Sky Is the Limit: Laura Owens Is in Top Form in Superb Whitney Museum Retrospective
Vasari Diary: Julianne Swartz, Munch Meets Schoenberg at the Met, and Artists Playing With Dolls
From the Archives: Tim Rollins Goes From Dead End to Avant-Garde, in 1988