Kemang Wa Lehulere, I Was Never Here (Blackout), detail, 2018, salvaged school desks (wood), shoelaces, glass bottles, sand, paper, and ribbon.
©KEMANG WA LEHULERE/COURTESY STEVENSON, CAPE TOWN AND JOHANNESBURG
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis