Installation view of “Michael E. Smith,” 2017–18, at the David Ireland House, San Francisco.
©HENRIK KAM/COURTESY THE ARTIST, THE 500 CAPP STREET FOUNDATION, AND ANDREW KREPS GALLERY, NEW YORK
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis