Installation view of “C. Spencer Yeh: Shocking Asia,” 2017–18, at Empty Gallery, Hong Kong.
COURTESY THE ARTIST AND EMPTY GALLERY
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz