Installation view of “Hayley Silverman: Entering Heaven Alive,” 2018, at Bodega, New York.
COURTESY THE ARTIST AND BODEGA, NEW YORK
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines