Frances Gallardo, Daniel (Hurricane series), 2018, draft paper, collage, graphite, pastel.
COURTESY RAQUEL PÉREZ PUIG AND EMBAJADA
A Market of the Senses: Sara Cwynar Finds Truths and Untruths in Advertising
Arshile Gorky Will Receive First Italian Retrospective During 2019 Venice Biennale
From the Archives: Walter Pach on Eugène Delacroix’s ‘Liberty Leading the People,’ in 1946