Mounira Al Solh, My speciality was to make a peasants’ haircut, but they obliged me work till midnight often, 2015–17, hand and machine stitched embroideries.
COURTESY THE ART INSTITUTE OF CHICAGO
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz