Installation view of “Sam Stewart: Cryptid,” 2018, at Fort Gansevoort, New York.
LAUREN COLEMAN/COURTESY THE ARTIST AND FORT GANSEVOORT, NEW YORK
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz