Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz