Installation view of “Bordering the Imaginary: Art from the Dominican Republic, Haiti, and Their Diasporas,” 2018, at BRIC House, Brooklyn.
JASON WYCHE/COURTESY BRIC, BROOKLYN
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
‘We Want to Invest in the Region’: FOG and Untitled Fairs Bring Out Dealers, Collectors in San Francisco