Ícaro Lira, Lavorare Stanca 2018, copy of Cesare Pavese’s 1936 book Lavorare Stanca, collage in wheat paste (montage of images of an Italian soldier and the acropolis in Greece), paper, nail, and wood.
GUI GOMES/COURTESY GALERIA JAQUELINE MARTINS
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
‘We Want to Invest in the Region’: FOG and Untitled Fairs Bring Out Dealers, Collectors in San Francisco