Michael Rosenfeld Gallery, New York
Nancy Grossman, Swarm, 1969–2014, wood, metal, bristle, and plastic assemblage mounted on plywood.
Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis